And wood

And that’s just one handtruck full. There are still about 20 in the truck!

Autumn

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Winter

Please remember that all of these images are owned by The Artful Bead, and cannot be distributed or used for financial gain without our permission.

 This is the first two “stacks” of our twisty section.  You sew them exactly the same way you do the regular rows, they’re just very tall.  See the flat blue-green beads between the yellowish ones in the middle of the loop at the bottom of the picture?  That’s our center marker beads. (NOTE!  on the other two loops shown below, we used the yellow ones as markers.  Not really on purpose, but because I forgot what I had started in the heat of the photographic moment.)

 Here we have finished all three stacks, and have done our step up row, just like we do at the end of all herringbone rows.  Notice that we’re coming out the top of one of our center-of-the-stack marker beads.  Pick up two more beads and go down through the other marker bead on the stack, just like a normal herringbone stitch.

  Twist the stack you are working on (where your thread is coming out) two or three times, then twist the NEXT stack the same number of times in the same direction.  Be careful to watch where everything is going, and keep them twisted.  (It’s PERFECTLY legit to tape the suckers together in the correct positions if you feel the need or if they’re fighting it.)  The picture above shows your needle going into the top of that next stack, ready to add two beads and go back down the next beed. 

 And this is where it gets even more fiddly.  We’ve finished adding the two beads (next herringbone stitch) to the second loop, and we need to twist that third loop the same number of times and direction as the other two.  Then we go up through the marker bead in the third loop, add two beads, and back down through the other marker bead.

Work your step-up by going through the top two beads in the top of the first stack (marker and one on top) and you have completed your first twisty!

Don’t worry if one stack is twisted more or less than the others, it won’t be noticeable.  The important thing is that the herringbone tube after this returns to normal.

If you want to reinforce the twists, work another pass of thread through them while you’re weaving in your ends.  Doing it now might make you crazy.

Leaf Attachment 1

This is one end of the lariat, ready to attach the leaves.  We call the decrease points, where the 2-bead stacks split off (or the end stacks) the “twiggy” bits.  These are the main leaf attachment points.

  Put the needle on the long tail of a leaf (remember we said Don’t weave in both tails?)  Pick up a few beads, shading from the leaf color to the lariat color.  You can have long leaf stems or short ones.  We did both on our samples, depending on the mood of the day.

 Go up through three or four beads of the “twiggy bit” attachment point of your choice and pull it tight.  Weave the tail in through some of the beads next to the ones your needle went through, and go back down all the way through the stem back to the leaf.  Secure the thread by looping it around the threads running across the top of the leaf, and then go back through the stem and bottom of the lariat again.  Two or three passes of thread through the stem of the leaf make it much stronger.

  Here we have attached a leaf to the lariat in a place that isn’t a twiggy attachment point.  Work it the same way, going back through the stem and weaving your tails.  Nature isn’t always tidy.

 This is how it looks with the first two leaves attached. 

 Note how the top two leaves (orange and pinky) are attached to the main part of the lariat, not to the split off twigs.  The bottom two gold leaves are coming off a twig, side by side, although their stems are crossed.  (Better picture coming soon.) 

And if you find that you’ve made a leaf you’re not in love with, try weaving larger bright accent beads to some of the accent points.  Or cut it apart and pair those beads with others.

Here are a few helpful hints to save you time, though.

• Do NOT weave in or trim the last left-over long tail of leaf thread, use it to attach the leaf to the end of the lariat.
• Large accent beads (like drops or 8 rounds or bigger) tend to work better when used only on the outside of the leaf, because when they’re on the inside they can make it difficult to flatten and shape. Use smaller beads (like you would for the vein) on the inside.
• Vein beads can match the main leaf color, but it’s more interesting if they don’t. 
• Small triangle beads make a very textured leaf, which usually seems to be longer and narrower than you might expect.
• Don’t worry about making parts of your leaves match.  Play with the colors in your kit, try to make contrasty leaves for more pop.
• You can use more than one bead as an accent on the outside, especially if you use the 15 rounds or charlottes.  (11’s will work too, though!)  If they seem too floppy, weave a thread through the outside accents all the way around.    
• The larger a leaf is, the more it needs the veins to help stabilize the shape. Using doubled thread, or going back through most of the vein beads, will also help keep it tidy.
• Control the length and width of the leaf by varying the number of beads you use for the center vein. (I know, it seems obvious, but sometimes people end up with a lot of short wide (or tall skinny) leaves until they make that connection.)
• Please don’t weave in or trim the last left-over long tail of leaf thread, use it to attach to the end of the lariat if it’s long enough.  (Sorry to harp on it, but it’s a huge timesaver if you leave that last tail and don’t weave it in.)